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Hues from the East
(Published in Bout de Papier, Vol. 23, No. 1, AUGUST 2007, Ottawa, Canada)
- Photos and Text by Liza Linklater
I shoot in black-and-white and colour, and
while I prefer black-and-white, my eye is often drawn to colour. These
photos were taken in various Asian countries and I was lured to each scene
either by the colour, the design, or both. I hope you’ll enjoy looking at
them too.
Photography has often been thought of as an objective medium, one that
records what we see. In a way this is true. But the world around us is
quite a chaotic place. When we travel our eyes take in images from
everywhere and the very act of pointing a camera in a certain direction
indicates selectivity.
Photographers, and people generally, look at the world through a filter of
their own preferences and personalities. We continually come upon visual
delights that surprise and inspire us. In photography, often composition
and colour can help organize our vision. Moreover, travel primes us to
notice colour anew. Colours take on new meanings because of their
associations with places and cultures.
In Asia, there is also an overwhelming frenzy that we must sift our way
through in order to find simplicity and clarity.
We can achieve this lucidity in our vision by seeking out close-up
vignettes, or still lifes, which isolate visually revealing segments of a
scene. Vignettes frame a portion of a whole, separating them from their
surroundings as if they are suspended in space and time. Often the
subjects for vignettes are quite mundane, but because of composition,
colour or light they can be quite captivating.
● Liza
Linklater is a photographer and writer who has been on two postings to
Bangkok and one to New York City. She leaves this summer on posting to
Manila and is looking forward to continuing her photography throughout
Asia.
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